If you only look at the surface numbers, this was a pretty predictable week at the box office. Wonder Woman did well, The Mummy did not, and everything else shook out accordingly. That being said, there’s some pretty interesting narratives emerging in the how and why of this weekend’s box office report. Let’s take a look at the rankings as of Sunday afternoon and dive into some of the specifics:
Based on how this weekend’s box office numbers shaped up, odds are good that you either saw Wonder Woman this weekend or you avoided the theater altogether. It was a record-setting few days for everyone’s favorite warrior princess — sorry, Xena — but things were decidedly less rosy if your movie was… well, literally anything else. Here are the box office estimates as of Sunday afternoon:
Audiences have grown accustomed to seeing a slew of screenwriter credits on summer blockbusters. A few studios, like Universal and Paramount, have put together writers’ rooms for their biggest franchises; some films also have a host of different writers who either worked to develop the story or hammered out the final screenplay itself. Therefore, fans probably won’t bat an eye when they see three different writers’ names pop up in the Wonder Woman opening credits, but to hear one of the film’s producers tell it, that’s only part of the story. The road to bring Wonder Woman to the big screen involved a whole host of writers who didn’t end up mentioned in the final product.
There was a time not so long ago when Memorial Day weekend was a big deal for Hollywood, but this weekend felt more like a bunch of under-performers gathering together and learning very little about life. Call it the anti-Breakfast Club, if you will. This certainly isn’t what Hollywood had in mind for most of the franchises, and while Johnny Depp’s latest pirate movie did OK, OK seems to be the operative word of the summer if you’re not a movie about superheroes or literate villagers. Here’s the weekend gross through Sunday afternoon:
It’s a battle of the science fiction blockbusters this weekend, with Alien: Covenant and Guardians of the Galaxy Vol. 2 giving us a photo finish at the box office. The two movies couldn’t be more different in style, tone, and aesthetics, but they equally captured audiences’ attention and shined a light on what the future has in store for both franchises. Here’s the box office numbers as of Sunday afternoon:
Cesar Millan, better known as the Dog Whisperer in most pet circles, has built himself quite a little entertainment empire. Not only have his books and television shows taught countless people how to set boundaries with their pets, he’s also caused a million fights when one person in a couple thinks it’s funny to hiss “tsst!” at their partner during a discussion they find annoying. In other words, he’s been a boon to human-animal relationships and something else entirely to human-human relationships.
We’re only two weeks away from the release of DC Films’ Wonder Woman, and by my watch, that means it’s time for Warner Bros. to open the floodgates a bit when it comes to marketing the film. And wouldn’t you know it? Right on schedule, the studio has released a whole bunch of clips from the new film. We’ve got scenes where Wonder Woman throws down against enemy soldiers, scenes where Wonder Woman struggles to understand the “modern” world, and a whole bunch of scenes where Chris Pine plays the comic relief to Gal Gadot’s straight woman. If you’ve been hoping for a closer look at the world that director Patty Jenkins has put together, here’s your chance.
Hold onto your (well-toned) butts, ladies and gentlemen, because Zac Efron’s career is about to kick into high gear. After a few years spent as a teenage heartthrob — and a few more years spent revamping his image in movies like Neighbors and Baywatch as everyone’s favorite ‘sex idiot’ — it looks like Efron is gearing up to pivot yet-again into the dramatic stage of his career. What type of dramatic turn, you ask? A troubled artist? A struggling musician? You’re close! How about infamous serial killer Ted Bundy?
On Thursday evening, plenty of executives went to bed with dreams of big opening weekend numbers in their head. Could the movie about a magical king unseat the movie about a talking tree? Or would a mother-daughter comedy with just the right release date unseat a pair of battling sisters? Now that we’ve reached the end of the holiday weekend, we finally have the numbers, and it turns out the answer was no and no, respectively. Here’s this past weekend’s grosses as of Sunday afternoon:
Turn off your proton packs and fire up your Fleetwood Mac, it’s time for the latest edition of the ScreenCrush Weekend Box Office Report! There were few surprises to be found at the top of the list this weekend, but with a few big films nearing the end of their theatrical run, it’s a good time to take stock and see how things shook out. Here’s the projected grosses as of Sunday afternoon:
While decades of film journalism has taught us to treat Hollywood insiders as the sole source of movie rumors, there are plenty of places to go for production updates if you know where to look. Movie studios are businesses, after all, and business have to do things like file for copyrights, pull permits, and, sometimes, submit films and trailers to government agencies for review. That’s how we are able to bring you today’s update on the long-anticipated trailer for Columbia Pictures’ The Dark Tower adaptation. It didn’t come from some studio executive sending text messages on the sly; it came from the Consumer Protection agency of British Columbia.
No Marvel movie is complete without a rousing game of “Spot the Stan Lee.” In a nod to many of the iconic superheroes Lee helped create, each movie — often regardless of studio — has budgeted a small portion of its running time to one of Lee’s prominent background characters. He’s played a security guard, a playboy, a librarian, and a military general, and as long as Lee’s health permitted, fans could expect Lee to pop in without any broader connections to the Marvel Cinematic Universe. At least, that was the case until Guardians of the Galaxy Vol. 2.
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