Gather ’round, children, and let me tell you of the time before post-credits sequences. You see, in those days, we didn’t even know that a movie could continue after the words ‘The End’ flashed on the screen. Once a film was done, it was done, no more movie, and we’d have to have to find ways to entertain ourselves. We’d turn to the person next to us and strike up a con-ver-sation about the movie we just finished, or we’d quietly gather our belongings and head to the exit. But you know what we didn’t do? Watch more movie. Yessiree, we made our own fun back in those days. You kids have it soft.
When it comes to Hollywood pitches that practically greenlight themselves, “Apocalypse Now in space” has to be pretty high on the list. That’s the premise of Ad Astra, the next film by acclaimed writer-director James Gray (The Immigrant, The Lost City of Z). In February, news broke that Brad Pitt — who had served as a producer on Gray’s previous film — was looking to join the filmmaker for his science-fiction epic about a man who heads into space to pursue his missing father. And now it seems that Gray has found his film’s father figure (put your tiny haaaaand in mine), with Tommy Lee Jones recently signing on to play the vanished astrona
This has been a good weekend for Planet of the Apes fans. Not only did we get our first look at some of the early buzz for the final film in the trilogy — buzz that suggest that War for the Planet of the Apes might just be the best and bleakest movie in the series yet — we’ve also been treated to a special Father’s Day trailer that explores the universal truths of fathers, sons, and legacy. Sentient apes or human, we’re all just trying to leave behind a better world for our children.
It’s a pleasant Sunday afternoon in the world, which means it’s time for your weekend box office updates! While this was a disappointing weekend overall for a handful of new releases, there’s good news to be had: after a disappointing $144 million total gross last weekend, the box office bounced back to $187 million total over the past few days. That takes some of the pressure off Wonder Woman to, you know, save the summer blockbuster as we know it. Here’s the totals as of Sunday afternoon:
For years now, America has been struggling with the allegations that Bill Cosby — once a beloved television father and comedian — may have used his position in Hollywood to commit a series of violent sexual assaults. For those unfamiliar with the timeline involved in the Cosby case, I would encourage you to check out ABC’s detailed recap of everything that led up to this past month’s trial, including the civil cases brought against the actor-comedian and the Hannibal Burgess joke that is widely regarded as the instigating event in bringing these accusations to the public. And today, as noted by Deadline, a Norristown, PA jury has forced the judge to declare a mistrial in Andrea Costand’s case against Cosby.
If you only look at the surface numbers, this was a pretty predictable week at the box office. Wonder Woman did well, The Mummy did not, and everything else shook out accordingly. That being said, there’s some pretty interesting narratives emerging in the how and why of this weekend’s box office report. Let’s take a look at the rankings as of Sunday afternoon and dive into some of the specifics:
Based on how this weekend’s box office numbers shaped up, odds are good that you either saw Wonder Woman this weekend or you avoided the theater altogether. It was a record-setting few days for everyone’s favorite warrior princess — sorry, Xena — but things were decidedly less rosy if your movie was… well, literally anything else. Here are the box office estimates as of Sunday afternoon:
Audiences have grown accustomed to seeing a slew of screenwriter credits on summer blockbusters. A few studios, like Universal and Paramount, have put together writers’ rooms for their biggest franchises; some films also have a host of different writers who either worked to develop the story or hammered out the final screenplay itself. Therefore, fans probably won’t bat an eye when they see three different writers’ names pop up in the Wonder Woman opening credits, but to hear one of the film’s producers tell it, that’s only part of the story. The road to bring Wonder Woman to the big screen involved a whole host of writers who didn’t end up mentioned in the final product.
There was a time not so long ago when Memorial Day weekend was a big deal for Hollywood, but this weekend felt more like a bunch of under-performers gathering together and learning very little about life. Call it the anti-Breakfast Club, if you will. This certainly isn’t what Hollywood had in mind for most of the franchises, and while Johnny Depp’s latest pirate movie did OK, OK seems to be the operative word of the summer if you’re not a movie about superheroes or literate villagers. Here’s the weekend gross through Sunday afternoon:
It’s a battle of the science fiction blockbusters this weekend, with Alien: Covenant and Guardians of the Galaxy Vol. 2 giving us a photo finish at the box office. The two movies couldn’t be more different in style, tone, and aesthetics, but they equally captured audiences’ attention and shined a light on what the future has in store for both franchises. Here’s the box office numbers as of Sunday afternoon:
Cesar Millan, better known as the Dog Whisperer in most pet circles, has built himself quite a little entertainment empire. Not only have his books and television shows taught countless people how to set boundaries with their pets, he’s also caused a million fights when one person in a couple thinks it’s funny to hiss “tsst!” at their partner during a discussion they find annoying. In other words, he’s been a boon to human-animal relationships and something else entirely to human-human relationships.
We’re only two weeks away from the release of DC Films’ Wonder Woman, and by my watch, that means it’s time for Warner Bros. to open the floodgates a bit when it comes to marketing the film. And wouldn’t you know it? Right on schedule, the studio has released a whole bunch of clips from the new film. We’ve got scenes where Wonder Woman throws down against enemy soldiers, scenes where Wonder Woman struggles to understand the “modern” world, and a whole bunch of scenes where Chris Pine plays the comic relief to Gal Gadot’s straight woman. If you’ve been hoping for a closer look at the world that director Patty Jenkins has put together, here’s your chance.
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