It feels like we’ve been watching the same six or seven movies shift places on the charts for weeks now, which makes what happened this weekend such a breath of fresh air. With four new releases all cracking the charts, we’ve at least got a little bit of variety in the titles we’ll be discussing, and no The Emoji Movie near the list. I’ll put that down as a win in my book any day of the week. Here’s the estimated box office grosses as of Sunday afternoon:
It’s getting progressively more difficult to find anything of value to say when Ron Howard teases more behind-the-scenes photos from the Han Solo set. On the one hand, we get it, Opie, you’re deeply immersed in the Star Wars universe and doing all kinds of cool [expletive] and we’re not. On the other hand, though, we’ve reached a point where our collective interest in little tidbits is starting to wane. Let me put it to you like this: I love a good tapas restaurant as much as the next guy, right? But sometimes you just want the full three-course meal.
If you’re like me, you’ve probably gotten a little confused about the various Godzilla adaptations currently underway in Hollywood, so let’s take a moment to clear that up. First there’s Godzilla: King of the Monsters, the sequel to Gareth Edwards’ 2014 film. You have Godzilla: Monster Planet, the animated series heading to Netflix later this year. You have the in-development sequel to Japanese franchise reboot Shin Godzilla, which technically cannot begin production until 2020. And you have Adam Wingard’s Godzilla vs. Kong, which will bring the two major monster franchises together.
It’s now been two weekends since Pennywise the Dancing Clown was unleashed upon unsuspecting audiences, and Hollywood may never be the same. Seriously. The kind of box office numbers we’re seeing right now will inspire, uh, major changes in how Hollywood tries to jump on specific trends. And while two new movies made a sort of solid showing for themselves over the weekend, the fact is this: it’s Pennywise’s world. We’re just living in it. Here’s the box office projections as of Sunday afternoon:
Sad news today out of Mexico, where it appears a location scout for the popular Netflix series Narcos was found shot to dead earlier this week. Carlos Muñoz Portal, who had previously worked on high-profile projects such as Sicario and Spectre, was reportedly looking at possible locations for the upcoming season of the Netflix series, which is said to be focusing on the infamous Juarez cartel. Despite the lag between when Portal’s body was discovered and when the news was reported by industry publications, little progress has been made in providing any firm details on the crime.
Well, that’s kinda awkward timing. On Thursday of last week, the New York Times published an article titled “Attacked by Rotten Tomatoes,” an in-depth look at the popular review aggregation site and the role it may have played in this summer’s disappointing box office numbers. The article ends with a prolonged examination of the various ways that studios are trying to “battle Rotten Tomatoes on multiple fronts,” seemingly accepting the idea that Rotten Tomatoes has been bad for the movie industry (despite the fact that Rotten Tomatoes is, in fact, owned by said members of the movie industry). The article may have been an interesting read for those unfamiliar with the controversy, but for those in the know, it was old news, part of an ongoing debate that tried to argue that critics were duping poor, easily misled moviegoers.
As we head deeper into September, two things have become pretty clear about 2017 box office numbers: one, Hollywood desperately needs to bounce back a little bit from the doldrums of August, and two, whoever decided to hedge their studio’s bets with a September release date for a movie about a killer clown is looking like a [profanity] genius right about now. We’ll get to all of that in a moment, but first, here are the box office numbers as of Sunday afternoon:
In a weekend where no new releases cracked the Top 10 and six movies maintained their exact spot in the rankings, you’d think there would be less news worth sharing. That isn’t quite the case. Sure, as sites like Box Office Mojo have noted, this is a historically bad Labor Day Weekend for movies in theaters, but it’s also a uniquely static weekend for releases, one that even required me to create a second chart just to capture all the data points. Let’s start as we always do, with the box office grosses as of Sunday afternoon:
There are bad weekends, there are bad weekends, and then there are historically terrible weekends the likes of which haven’t been seen in decades. Guess which one applies to this past weekend? With the overall box office dipping more than $30 million from last week, and the overall numbers landing as historically bad, we seem to be ending August on a terrible note. Nevertheless, here are the box office numbers through Sunday afternoon:
If the early buzz is to be believed, fans couldn’t get any more excited for the upcoming adaptation of Stephen King’s It. Not only does the film have one of the most-watched movie trailers of all time, and is also projected to make over $60 million in its opening weekend, it’s also coming into theaters riding a wave of impressive reviews. And somehow, the movie has done all of this without tipping its hand on some of the most impressive scares. All of this for an R-rated horror movie about children being jeopardized. We’ve come a long way since the original miniseries, America.
I’d like to think I’m not prone to hyperbole, so believe me when I say I’m putting all my remaining Marvel eggs in the Thor: Ragnarok basket. Sure, I’ve more-or-less enjoyed most of the movies in the franchise — this year’s Guardians of the Galaxy Vol. 2, for example, might be one of their best yet — but superhero movies are like anything else: the more you ingest, the less you enjoy it the next time around. If Marvel is going to continue making these movies until the sun explodes, then I’m ready for things to get a little bit weird, and Thor: Ragnarok director Taika Waititi is the right person to deliver.
Welcome to Augusts, where overall weekend grosses can decline for three consecutive weekends — $122, $116, and $95 million, respectively — and a new action-comedy can be the surprise winner of the weekend. Audiences might still be interested in creepy dolls, but it was a hyper-violent buddy film about professional killers that took home the gold. Here’s the box office projections, as of Sunday afternoon:
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